This week I thought I’d try my hand
at a book review. Because, although this is a creative writing blog, one of the
best ways a writer can improve their own writing is to read as much as they
can.
I am going to review Gone Girl by
Gillian Flynn, a crime thriller novel that, as I’m sure you know, has recently been
made into a film starring Ben Affleck and Rosamund Pike.
Nick Dunne arrives home to his
American suburban house to find that his wife, Amy, is missing and his house is
trashed. As the investigation progresses, the police start to realise that the
evidence doesn’t match up and Nick starts to look more and more guilty.
Gone Girl fits perfectly into the
crime thriller genre but it is so much more than that. It is different,
unpredictable. The unreliable narration is very clever in leading the reader in
one direction, fooling them into thinking they’re figuring out all the clues,
and then revealing they were wrong from the start.
On top of that, the narration is so
easy to read and beautifully written. With a lot of novels, I find I’m very conscious
of the fact that I’m reading a constructed narrative, that the author probably
spent hours poring over their metaphors and picking the perfect analogies. Gone
Girl is completely different. The narration feels natural, it flows perfectly.
It feels like you’re having a chat with the narrator.
Furthermore, Gone Girl opens your
eyes to areas of social conduct that are taken for granted and shouldn’t be. Such
as the concept of the ‘cool girl’; the
idea that every girl trying to find a boy pretends to be the girl who drinks beer,
plays video games and doesn’t mind if her boyfriend cancels on her to play
poker with his friends. Whereas no man ever pretends to watch gossip girl,
drink wine and knit in order to attract a girlfriend. Gillian Flynn is very
clever at creating stereotypical characters (without you realising it) only to
subvert them in the second half of the novel in order to open your eyes to
social issues such as these.
Gone Girl is an absolute page turner
for 50% of the book. However, the book starts to disappoint in the second half.
By this point in the novel, we have found out who’s behind Amy’s disappearance
and all of the literary tension that kept us reading before this point leaks
out. The characters become less realistic and relatable. And the most
disappointing part of all is the ending. It falls flat of the fantastic
thriller you’ve read up to this point and seems almost anticlimactic. When
reading it, I felt fairly certain that Gillian Flynn was merely trying to find
an ending that was ‘unpredictable’ rather than an ending that would satisfy her
readers.
I would definitely recommend this
book to anyone. It is a quick, easy, fun read. However, I would warn them not
to expect the second half to be as good as the first.
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